Cannes Film Festival 2024: Read All Of Deadline’s Movie Reviews, Including Palme d’Or Winner ‘Anora’

Read all of Deadline’s Cannes Film Festival reviews below, including Palme d’Or winner Anora.

The New York-set romantic dramedy charts the story of a stripper from Brooklyn who transforms into a modern Cinderella when she meets the son of a Russian oligarch.

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The film, playing in the official Competition three years after Baker’s success in Cannes with the Simon Rex-starring Red Rocket, scored a 10-minute ovation earlier this week. It was one of a number of critically praised films this edition. Check out all our reviews below.

All We Imagine as Light

‘All We Imagine as Light’
‘All We Imagine as Light’

Section: Competition
Director: Payal Kapadia
Cast: Kani Kusruti, Divya Prabha, Chhaya KAdam, Hridhu Haroon
Deadline’s takeaway: And at a time when so much attention is being paid to the lives of the haves and the have-nots amid such financial imbalance worldwide, it’s refreshing to see the spotlight on ordinary women caught somewhere in the middle, living just enough for the city.



Section: Competition
Director: Sean Baker
Cast: Mikey Madison, Mark Eydelshteyn, Yuriy Borisov, Karren Karagulian, Vache Tovmasyan
Deadline’s takeaway: Sean Baker is no stranger to comedy, and Anora is his broadest to date. The nudity doubtless will be controversial, but it will be especially interesting to see what audiences make of the film’s heartbreaking ending — a subtle rebuttal to the allegations of exploitation that surely will ensue.

The Apprentice

'The Apprentice' movie review
‘The Apprentice’

Section: Competition
Director: Ali Abbasi
Cast: Sebastian Stan, Jeremy Strong, Maria Bakalova, Martin Donovan, Charlie Carrick, Mark Rendall
Deadline’s takeaway: Donald Trump has never seemed so, well, human, as his own early years show a man trying desperately for his father’s approval while at the same time trying to come out from under his shadow. Will it sell, and will it be released before November’s election? We shall see, but this is not a hit job on Trump.



Section: Un Certain Regard
Director: Halfdan Ullmann Tøndel
Cast: Renate Reinsve, Ellen Dorrit Petersen, Thea Lambrechts Vaulen, Endre Hellesveit, Øystein Røger, Vera Veljovic
Deadline’s takeaway: Halfdan Ullmann Tøndel’s lineage should give you a fair idea of what’s in store here, but, surprisingly, Armand doesn’t dig especially deep into the human psyche, finally falling into a strange no man’s land between intense character drama and jet-black comedy.

The Balconette (Les Femmes au Balcon)

‘The Balconette’
‘The Balconette’

Section: Midnight Screenings
Director: Noémie Merlant
Cast: Noémie Merlant, Sanda Codreanu, Souhelia Yacoub
Deadline’s takeaway: The bulky shade of Pedro Almodóvar looms over all these shenanigans, which could be read as “Women on the Verge of Heat Exhaustion” if there were more sense of it actually being hot, one of several flavors missing from Merlant’s confection of genres.

Being Maria

‘Being Maria’
‘Being Maria’

Section: Cannes Premieres
Director: Jessica Palud
Cast: Anamaria Vartolomei, Matt Dillon, Giuseppe Maggio, Céleste Brunnquell, Yvan Attal, Maddie Cyllain
Deadline’s takeaway: The familiar kind of biopic moments put all this squarely in the Lifetime TV Movie of the Week formula, but fortunately, it is all lifted tremendously by its talented and intriguing star, Anamaria Vartolomei, who is utterly convincing in the role of Maria without turning it into an impression.



Section: Competition
Director: Andrea Arnold
Cast: Nykiya Adams, Barry Keoghan, Jason Buda, Jasmin Jobson, James Nelson Noyce, Frankie Box, Franz Rogowski
Deadline’s takeaway: Andrea Arnold knows just how to get under our skin. She embellishes the film with fantastical elements, but whether they’re really happening or part of Bailey’s childlike desperation to believe in anything magical, the film doesn’t make clear. But Arnold certainly wants us to know one thing: Bailey will be OK.

Blue Sun Palace

‘Blue Sun Palace’
‘Blue Sun Palace’

Section: Critics’ Week
Director: Constance Tsang
Cast: Ke-xi Wu, Lee Kang Sheng, Haipeng Xu
Deadline’s takeaway: Constance Tsang certainly can use this very small, very minimalist offering as a calling card to more ambitious projects. Touch is key in her film, with several scenes depicted in the massage parlor setting. It ultimately is about longing, loneliness, grief and finding a place in a challenging environment. Indeed it also about the need to feel, yes touch, but not in obvious ways we might expect.

Caught by the Tides

Caught by the TIdes movie
‘Caught By the Tides’

Section: Competition
Director: Jia Zhangke
Cast: Zhao Tao, Zhubin Li
Deadline’s takeaway: Jia Zhangke leads his partner and muse, Zhao Tao, on a decades-long romantic odyssey in Caught By the Tides, which tries too hard to play with time and form for the connection between its leads to be its central preoccupation.

Christmas Eve in Miller’s Point

‘Christmas Eve in Miller’s Point’
‘Christmas Eve in Miller’s Point’

Section: Directors’ Fortnight
Director: Tyler Taormina
Cast: Matilda Fleming, Michael Cera, Chris Lazzaro, Elsie Fisher, Gregg Turkington
Deadline’s takeaway: It’s hard to categorize Taormina’s film, and, for some, its freewheeling, indie American Graffiti vibe might take a little getting used to. But Christmas Eve in Miller’s Point is a trip for anyone willing to roll with it, and more than cements Taormina as a talent to watch.

The Count of Monte-Cristo

‘The Count of Monte-Cristo’
‘The Count of Monte-Cristo’

Section: Out of Competition
Directors: Matthieu Delaporte, Alexandre de la Patelliere
Cast: Pierre Niney, Bastien Bouillon, Patrick Mille, Vasilli Schneider, Pierfrancesco Favino, Anaïs DeMoustier, Laurent Lafitte, Anamaria Vartolomei, Julien de Saint-Jean
Deadline’s takeaway: The production looks stunning. Matthieu Delaporte and Alexandre de la Patellliere have made something fresh and exciting from one of the oldest stories around, the kind of movie quite frankly Hollywood should be making and a film that is one of the best I saw in Cannes this year.

Elizabeth Taylor: The Lost Tapes

‘Elizabeth Taylor: The Lost Tapes’
‘Elizabeth Taylor: The Lost Tapes’

Section: Cannes Classics
Director: Nanette Burstein
With: Elizabeth Taylor
Deadline’s takeaway: The tapes recorded in 1964 weren’t actually lost, but it all makes for a satisfying journey through one of Hollywood’s most memorable careers. There is the feeling of intimacy that makes this one special, if not exactly full of new revelations.

Emilia Pérez

Emilia Perez
‘Emilia Perez’

Section: Competition
Director: Jacques Audiard
Cast: Adriana Paz, Edgar Ramirez, Mark Ivanir, Zoe Saldaña, Karla Sofía Gascón, Selena Gomez
Deadline’s takeaway: None of this ever seems ridiculous, because Audiard leans into the musical genre’s conventions; rather than bending his provocative story to fit it, he bends the form itself. It may be too soon to call the Palme d’Or with a week of the Cannes Film Festival left to run, but Emilia Pérez looks very much like a winner.

Ernest Cole, Lost and Found

Ernest Cole: Lost And Found
‘Ernest Cole: Lost and Found’

Section: Special Screening
Director: Raoul Peck
Narrator: Lakeith Stanfield
Deadline’s takeaway: The documentary stands is a necessary tribute that ensures the South African photographer’s life, work and contributions will be remembered for generations. It is a reminder of the spirit required to confront and document injustice and the personal cost that often accompanies such commitment.


Section: Cannes Classics
Director: Laurent Bouzereau
With: Faye Dunaway
Deadline’s takeaway: You will find yourself with renewed respect for this great star after watching this documentary on her life. Time for a Faye Dunaway retrospective, and this fine film is perfect reason to do it.

Furiosa: A Mad Max Saga


Section: Out of Competition
Director: George Miller
Cast: Anya Taylor-Joy, Chris Hemsworth, Tom Burke, Alyla Browne, Lachy Hulme, Matuse, Goran Kleut, Charlee Fraser
Deadline’s takeaway: With Furiosa, George Miller, now seemingly ageless at 79 (he was 34 when the first Mad Max came out), has perhaps given birth to the greatest Max yet, a wheels-up, rock-and-rolling epic that delivers on the origin story.

Ghost Cat Anzu

Section: Directors’ Fortnight
Directors: Yôko Kuno, Nobuhiro Yamashita
Voice cast: Munetaka Aoki, Noa Goto, Mirai Moriyama
Deadline’s takeaway: Ghost Cat Anzu would have made an excellent 30-minute short. As a feature-length film, it struggles with pacing and coherence, leaving too many questions unanswered and failing to introduce stakes until it’s almost too late. But the film is entertaining when it finally gets going.

Ghost Trail

‘Ghost Trail’
‘Ghost Trail’

Section: Critics’ Week
Director: Jonathan Millet
Cast: Adam Bessa, Tawfeek Barhom, Julia Franz Richter, Shafiqa El Till
Deadline’s takeaway: On the surface, Ghost Trail uses the traditional tropes of the spy movie, but it isn’t exactly thrilling, certainly not in the manner of a John le Carré novel. Closer in spirit to Spielberg’s Munich, it’s a quietly profound character study about the need for a closure that may never come.

The Girl with the Needle

‘The Girl with the Needle’
‘The Girl with the Needle’

Section: Competition
Director: Magnus von Horn
Cast: Vic Carmen Sonne, Trine Dyrholm
Deadline’s takeaway: It is because this story’s truths are so stark that this high-wire work succeeds. Magnus von Horn is a masterful talent, and there is plenty of prize potential within his film. It’s an unequivocal and beguiling triumph.

Grand Tour

Section: Competition
Director: Miguel Gomes
Cast: Crista Alfaiate, Gonçalo Waddington, Cláudio Da Silva, Tran Lang-Khê
Deadline’s takeaway: The push-pull dynamic of the man terrified of commitment and a woman in pursuit is mildly entertaining. Fans of Gomes’ deadpan style no doubt will respond to its eccentricity, its wry irony and its undoubtedly striking monochrome cinematography. Less enlightened viewers may wish to take a pillow.

Horizon: An American Saga – Chapter 1

'Horizon: An American Saga'
‘Horizon: An American Saga’

Section: Out of Competition
Director: Kevin Costner
Cast: Kevin Costner, Sienna Miller, Sam Worthington, Jena Malone, Danny Huston, Luke Wilson, Michael Rooker, Will Patton, Owen Crow Shoe, Tatanka Means, Wase Winyan Chief, Jamie Campbell Bower, Isabelle Fuhrman, Jon Beavers
Deadline’s takeaway: Horizon: An American Saga is an impressive beginning for Costner, who is just trying to keep the American Western alive. But he may, with this innovative roll of the dice, also be trying to keep theaters alive at the same time, that is if there is still an appetite for Westerns. Hopefully there is.

Jim Henson Idea Man

‘Jim Henson Idea Man’
‘Jim Henson Idea Man’

Section: Classics
Director: Ron Howard
Deadline’s takeaway: Howard’s documentary brings fresh energy to the subject through the skillful use of animations based on Henson’s impressive drawings and wonderful archival rarities that go beyond what has been seen in previous treatments of Henson’s life.

Kinds of Kindness

‘Kinds Of Kindness’
‘Kinds Of Kindness’

Section: Competition
Director: Yorgos Lanthimos
Cast: Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau
Deadline’s takeaway: Kinds of Kindness is about a ubiquitous interdependence between ruthless power and willing submission that crops up everywhere, which implies that we are all in its thrall. That makes it their gloomiest film yet. Of course, it is also very funny.

The Kingdom

‘The Kingdom’
‘The Kingdom’

Section: Un Certain Regard
Director: Julien Colonna
Cast: Ghjuvanna Benedetti, Saveriu Santucci, Anthony Morganti, Andrea Cossu, Régis Gomez
Deadline’s takeaway: There are a great many films about the mafia. Many of them are concerned with family, but few have this depth of feeling. Despite its pace, The Kingdom doesn’t feel like the thriller it resembles. It feels like epic drama. It isn’t glamorous, but it does look glorious.

Limonov: The Ballad

Ben Whishaw interview
‘Limonov: The Ballad’

Section: Competition
Director: Kirill Serebrennikov
Cast: Ben Whishaw, Viktoria Miroshnichenko
Deadline’s takeaway: A boundary-blasting biopic that simply drips with punk-rock energy, revealing everything and nothing about a slippery character whose modus operandi was reinvention from the get-go and for whom consistency really was the hobgoblin of small minds.


Luis Ignacio Lula de Silva in Lula documentary

Section: Special Screenings
Directors: Oliver Stone, Rob Wilson
Deadline’s takeaway: Stone has combed through the existing record very effectively to tell a good story, one that may provoke questions among Americans complacent about the work of their security services, including during the Obama years. And in a democracy, as shown in this film dealing with a country where democracy has often been on shaky ground, raising those questions cannot be a bad thing.

Marcello Mio

'Marcello Mio' review
‘Marcello Mio’

Section: Competition
Director: Christophe Honoré
Cast: Chiara Mastroianni, Catherine Deneuve, Fabrice Luchini, Nicole Garcia, Benjamin Biolay, Melvin Poupaud, Hugh Skinner, Stefania Sandrelli
Deadline’s takeaway: Christophe Honoré seems to enjoy patching together magical realism and real lives in creating this BonBon of a film. Wonderfully funny and completely original, it manages to keep the tone in place but juggles a dramatic moment as well.


Adam Driver and Nathalie Emmanuel in 'Megalopolis'

Section: Competition
Director: Francis Ford Coppola
Cast: Adam Driver, Nathalie Emmanuel, Aubrey Plaza, Jon Voight, Shia LaBeouf
Deadline’s takeaway: Watching Anthony Mann’s The Fall of the Roman Empire and eating cheese afterwards would be the only way to replicate Megalopolis‘ fever-dream grandeur, a series of stunning images, carried along by the loosest of plots, that pontificate on the self-destructive nature of humankind, the only species capable of civilizing itself to death.


Mongrel movie

Section: Directors’ Fortnight
Director: Chiang Wei Liang
Cast: Wanlop Rungkumjad, Daniel Hong Yu-hong, Lu Yi-ching, Kuo Shu-wei
Deadline’s takeaway: Director Chiang has won prizes for his documentary and VR work, but this is his first feature. It is bleak beyond belief, set in a milieu constructed of verifiable fact but so dreadful that it feels like a sci-fi dystopia. It is also an absolutely brilliant piece of filmmaking.

The Most Precious of Cargoes

‘The Most Precious of Cargoes’
‘The Most Precious of Cargoes’

Section: Competition
Director: Michel Hazanavicius
Voice cast: Dominique Blanc, Grégory Gadebois, Denis Podalydès, Jean-Louis Trintignant
Deadline’s takeaway: At a brisk 81 minutes, it’s all over very quickly, and it’s to Michel Hazanavicius’s credit that he doesn’t equate length with importance. The power of his film derives very much from its clarity and simplicity. The film is a friendly reminder that life is not fiction.

Motel Destino

'Motel Destino' review Cannes Film Festival
‘Motel Destino’

Section: Competition
Director: Karim Aïnouz
Cast: Iago Xavier, Nataly Rocha, Fabio Assunção, Renan Capivara, Fabíola Líper, Isabela Catão, Yuri Yamamoto, Davi Santos, Jupyra Carvalho, Bertrand de Courville, Katiana Monteiro, Vanessa Cardoso, Jan Moreira, Edglê Lima Moreira
Deadline’s takeaway: Despite its gripping start and lush cinematography, the film ultimately loses its way, bogged down by a sluggish middle act and narrative inconsistencies. By the time the story reaches its conclusion, the audience is left with a sense of anticlimax, questioning the purpose of the prolonged buildup.

My Sunshine

Cannes Film Festival Un Certain Regard movie My Sunshine
‘My Sunshine’

Section: Un Certain Regard
Director: Hiroshi Okuyama
Cast: Sosuke Ikematsu, Keitatsu Koshiyama, Kiara Nakanishi
Deadline’s takeaway: Okuyama does not attempt to hit us over the head or engage in the tropes of this kind of story revolving around the growing pains of youth. There is no melodrama here. Instead he moves his camera (he is also cinematographer) as gracefully as his young dancers, shot in such a way, quietly joyous at times, that it resembles a mood piece.



Section: Special Screenings
Directors: Tudor Giurgiu, Cristian Pascariu, Tudor D. Popescu
With: Ilie Năstase, Ion Țiriac, Jimmy Connors, Stan Smith, Björn Borg, John McEnroe, Billie Jean King, Rafael Nadal, Boris Becker, Yannick Noah
Deadline’s takeaway: Game, set and match for Tudor Giurgiu, Cristian Pascariu and Tudor D. Popescu, who co-direct Nasty, a pleasingly hagiographic portrait of Romanian tennis icon Ilie Năstase. Nasty is an infinitely watchable pop doc, but it might have dug a little deeper here and there.

Oh, Canada

Richard Gere and Uma Thurman in Oh, Canada movie
‘Oh, Canada’

Section: Competition
Director: Paul Schrader
Cast: Richard Gere, Uma Thurman, Jacob Elordi, Michael Imperioli, Zach Shaffer, Kristine Froseth, Jake Weary
Deadline takeaway: Oh, Canada is made up of pieces of a life put under a cinematic microscope at different periods, all moving in and out of the mind of a man who is dying but still lucid enough to tell the truths of his life as time is running out, some revealed for the first time as he grapples with both morality and mortality.

On Becoming a Guinea Fowl

On Becoming a Guinea Fowl movie
‘On Becoming a Guinea Fowl’

Section: Un Certain Regard
Director: Rungano Nyoni
Cast: Susan Chardy, Henry B.J. Phiri, Elizabeth Chisela
Deadline’s takeaway: In Nyoni’s sophomore film, the focus is the rub between tradition and modernity, using the occasion of a family funeral as the jumping-off point for a slow-burn drama that builds, rather stealthily, to an unexpectedly emotional climax.


Paolo Sorrentino movie 'Parthenope' acquired by A24 ahead of Cannes World Premiere.

Section: Competition
Director: Paolo Sorrentino
Cast: Celeste Dalla Porta, Gary Oldman, Stefania Sandrelli, Luisa Ranieri, Silvio Orlando, Peppe Lanzetta, Isabella Ferrari, Daniele Rienzo, Dario Aita
Deadline’s takeaway: Overall it is the memories of youth in Naples and Capri that drive this narrative, the moments to cherish in our lives, and that is no different for Sorrentino as he creates the missing youth he never had. Fortunately he gets to live it in the movies.

Rendez-vous avec Pol Pot

Section: Premiere
Director: Rithy Panh
Cast: Irène Jacob, Grégoire Colin, Cyril Gueï
Deadline’s takeaway: The journalists in Rithy Panh’s film aren’t superheroes; their quest for that truth has its own motivations. Yet the importance of their journey to find it cannot be understated. The film might not walk totally fresh ground for Panh, but there is real power in one filmmaker’s dedication to re-examining real world horror from many angles over many years.


Rumours movie

Section: Competition
Directors: Guy Maddin, Evan Johnson, Galen Johnson
Cast: Cate Blanchett, Roy Dupuis, Nikki Amuka-Bird, Charles Dance, Takehiro Hira, Denis Ménochet, Rolando Ravello, Zlatko Buric, Alicia Vikander
Deadline’s takeaway: Anyone with a fascination for political process and the idiocies of bureaucracy will find one joke after another hitting the bullseye in Rumours, a more explicitly satirical work that we have come to expect from Canadian director Guy Maddin. For anyone else, it is mild fun at best.

The Second Act

Léa Seydoux and Louis Garrel in The Second Act movie
‘The Second Act’

Section: Out of Competition
Director: Quentin Dupieux
Cast: Léa Seydoux, Louis Garrel, Vincent Lindon, Raphaël Quenard
Deadline’s takeaway: Maybe Quentin Dupieux should have paid more attention when he was writing; maybe he should have spent longer in the editing suite. But if the results are always a bit ragged, does it matter? Dupieux might never make a masterpiece, but his slapdash, wild entertainments are irresistible.

The Seed of the Sacred Fig

‘The Seed of the Sacred Fig’
‘The Seed of the Sacred Fig’

Section: Competition
Director: Mohammad Rasoulof
Cast: Missagh Zare, Soheila Golestani, Mahsa Rostami, Setareh Maleki
Deadline’s takeaway: Mohammad Rasoulof’s long, heartfelt story of an Iranian family that starts to tear at the seams is an enjoyable rollercoaster, even in its most OTT sequences. The tension infuses the storytelling with power and a particular, palpable energy, reflected in a suite of exceptional performances.

September Says

‘September Says’
‘September Says’

Section: Un Certain Regard
Director: Ariane Labed
Cast: Mia Tharia, Pascale Kann, Rakhee Thakrar
Deadline’s takeaway: Carrie is a guiding spirit here in the first film to be directed by Greek Weird Wave actor Ariane Labed. There are flashes of truly original accomplishment, but the tussle between oddball teenage sisters July and September doesn’t amount to more than a summer fling.

The Shrouds

‘The Shrouds’
‘The Shrouds’

Section: Competition
Director: David Cronenberg
Cast: Vincent Cassel, Diane Kruger, Guy Pearce, Sandrine Holt
Deadline’s takeaway: By the last half-hour, various plot threads are whipping around dangerously like loose electric cables in a storm. Whatever else you may expect of David Cronenberg, the doyen of body horror, as a distinctive auteur – wry humor, a measured pace, exultant wallowing in foul goo  – you’re not expecting the narrative to explode into bits.

Simon of the Mountain

‘Simon of the Mountain’
‘Simon of the Mountain’

Section: Critics’ Week
Director: Federico Luis
Cast: Lorenzo Ferro, Kiara Supini, Pehuen Pedre
Deadline’s takeaway:  Lorenzo Ferro is extraordinary as Simon in Federico Luis’ moving, puzzling and wholly original debut feature. The hand-held camera follows Ferro closely; we never tire of his face, wondering what mood or expression will erupt next. We learn almost nothing about his past, his future hangs in the air, and there is only his present

The Substance

The Substance
‘The Substance’

Section: Competition
Director: Coralie Fargeat
Cast: Demi Moore, Margaret Qualley, Dennis Quaid
Deadline’s takeaway:  Imagine David Lynch’s Mulholland Drive fused in a telepod with David Cronenberg’s Dead Ringers, add the unbelievably dynamic pairing of Demi Moore and Margaret Qualley, process it through the ultra-vivid color palette that is Fargeat’s hyper-saturated imagination, sprinkle a bit of J.G. Ballard on top, and you have the perfect breakout genre movie of the year.

The Surfer

'The Surfer' review
‘The Surfer’

Section: Midnight Screenings
Director: Lorcan Finnegan
Cast: Nicolas Cage, Julian Mcmahon, Nic Cassim, Miranda Tapsell, Alexander Bertrand, Justin Rosniak, Rahel Romahn, Finn Little, Charlotte Maggi
Deadline’s takeaway: Nic Cage as a surfer dude? Unlikely, but who cares? The Surfer is an object lesson in how to make a film economically by using a single location, a bunch of surfing extras and some stock footage of lizards. Which is the grindhouse ethic at work, for sure.

Three Kilometers to the End of the World

Three Kilometers to the End of the World movie
‘Three Kilometers to the End of the World’

Section: Competition
Director: Emanuel Parvu
Cast: Bogdan Dumitrache, Ciprian Chiujdea, Laura Vasily
Deadline’s takeaway: Parvu is careful to show the complexity of these characters as well as of their weave of betrayals, mistakes and wrongdoing. The actors bring to their portraits the naturalistic ease combined with intensity that is a hallmark of Romanian New Wave cinema, each one a whole person with their own reasons.

To a Land Unknown

‘To a Land Unknown’
‘To a Land Unknown’

Section: Directors’ Fortnight
Director: Mahdi Fleifel
Cast: Mahmood Bakri, Aram Sabbah, Angeliki Papoulia, Mohammad Alsurafa, Mouataz Alshaltouh
Deadline’s takeaway: Mahdi Fleifel brings a steady hand to this material, never trying to overstep the limits of these two men’s daily experience to grandstand or wave a flag. Instead, there’s a generously simple sympathy with these refugees, even when their criminal activities become monstrous.

When the Light Breaks

When the Light Breaks movie
‘When the Light Breaks’

Section: Un Certain Regard
Director: Rúnar Rúnarsson
Cast: Elín Hall, Katla Njálsdóttir, Ágúst Wigum, Mikael Kaaber, Baldur Einarsson, Gunna Hrafn Kristjánsson
Deadline’s takeaway: As an opening-night choice for Cannes‘ Un Certain Regard, When the Light Breaks sets a standard for the original and specific vision that is expected of films in this section.

Wild Diamond

‘Wild Diamond’
‘Wild Diamond’

Section: Competition
Director: Agathe Riedinger
Cast: Malou Khebizi, Andréa Bescond, Idir Azougli, Ashley Romano
Deadline’s takeaway: Riedinger’s debut feature approaches her subject with remarkable empathy, taking Liane on her own terms and seeing her surroundings largely through her eyes.

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